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Catalogue >INDUSTRIAL / AVANTGARDE / POWERELECTRONICS / NOISE >LABELLE, BRANDON |
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AUTOMATIC RADIO, CD
FRINGES, FRINGES09, |
AUTOMATIC RADIO, CD ( approx. value: US$ 16.00 )
FRINGES |
AUTOMATIC RADIO, CD ( approx. value: US$ 16.00 )
FRINGES |
AUTOMATIC RADIO, CD
FRINGES, FRINGES09, |
AUTOMATIC RADIO, CD
FRINGES, FRINGES09, |
CONCERT, CD ( approx. value: US$ 13.00 )
SIRR RECORDS 2017, 2004; STRANGE WHISPERING CONCRETE SOUNDS, AS A RESULT OF LABELLE'S IDEAS OF "SOCIAL MUSIC"... RECORDINGS FROM VARIOUS INSTALLATIONS & PHYSICAL INTERACTIONS OF VISITORS HAPPENING THERE, WITH LOTS OF BASIC INFORMATION & PICTURES IN THE BOOKLET. , THIS CD DOCUMENTS" SOME OF BRANDON LABELLE RECENT INSTALLATIONS., BRANDON LABELLE UNDERSTANDS ART INSTALLATION AS A MEETING POINT OF VARIOUS FORCES ‹SOUND AND BUILDING, MUSICALITY AND CONVERSATION, BODIES AND CONTEXT ‹ AS A WAY TO CREATE UNEXPECTED RELATION: TO BRING TOGETHER YOU AND I INTO A PROCESS OF MEETING, A CONCERT WHERE DIFFERENCE FINDS ITS PLACE WITHIN THE CROWD. FOR THE CONCERT PULLS INTO ITS RHYTHM THE GIVEN ENVIRONMENT, ARTICULATING SPACE THROUGH MOVEMENT, AMPLIFYING THE PRESENCE OF OTHERS THROUGH NOISE AND STILLNESS, UNFOLDING AS A PLAY OF INTERACTION, OF VOICES AND THEIR EXCITEMENT. BRINGING TOGETHER THESE INSTALLATIONS, AS DOCUMENTS OF AUDIO AND PROCESSES OF REALIZING SPACE, HAS BUILT INTO IT A DESIRE TO EXPAND THE SCENE, HEIGHTEN THE DANCE, TO CONCERT FURTHER, AND REITERATE, WITH A DIFFERENT TONGUE, THE PRESENCE OF THE WORK: TO MODULATE THE VOLUME SO AS TO RECOGNIZE THAT WHICH SURROUNDS THE OBJECT OF ATTENTION." [LABEL DESCRIPTION] |
CONCERT, CD ( approx. value: US$ 13.00 )
SIRR RECORDS 2017, 2004; STRANGE WHISPERING CONCRETE SOUNDS, AS A RESULT OF LABELLE'S IDEAS OF "SOCIAL MUSIC"... RECORDINGS FROM VARIOUS INSTALLATIONS & PHYSICAL INTERACTIONS OF VISITORS HAPPENING THERE, WITH LOTS OF BASIC INFORMATION & PICTURES IN THE BOOKLET. , THIS CD DOCUMENTS" SOME OF BRANDON LABELLE RECENT INSTALLATIONS., BRANDON LABELLE UNDERSTANDS ART INSTALLATION AS A MEETING POINT OF VARIOUS FORCES ‹SOUND AND BUILDING, MUSICALITY AND CONVERSATION, BODIES AND CONTEXT ‹ AS A WAY TO CREATE UNEXPECTED RELATION: TO BRING TOGETHER YOU AND I INTO A PROCESS OF MEETING, A CONCERT WHERE DIFFERENCE FINDS ITS PLACE WITHIN THE CROWD. FOR THE CONCERT PULLS INTO ITS RHYTHM THE GIVEN ENVIRONMENT, ARTICULATING SPACE THROUGH MOVEMENT, AMPLIFYING THE PRESENCE OF OTHERS THROUGH NOISE AND STILLNESS, UNFOLDING AS A PLAY OF INTERACTION, OF VOICES AND THEIR EXCITEMENT. BRINGING TOGETHER THESE INSTALLATIONS, AS DOCUMENTS OF AUDIO AND PROCESSES OF REALIZING SPACE, HAS BUILT INTO IT A DESIRE TO EXPAND THE SCENE, HEIGHTEN THE DANCE, TO CONCERT FURTHER, AND REITERATE, WITH A DIFFERENT TONGUE, THE PRESENCE OF THE WORK: TO MODULATE THE VOLUME SO AS TO RECOGNIZE THAT WHICH SURROUNDS THE OBJECT OF ATTENTION." [LABEL DESCRIPTION] |
MAPS OF TENDERNESS, CD ( approx. value: US$ 15.00 )
SELEKTION H.S. ; COMES WITH 50PP BOOKLET (ARTWORK + TEXT), PROCESSED FIELD RECORDINGS BY THIS MEMBER OF ID-BATTERY |
MAPS OF TENDERNESS, CD
SELEKTION H.S., SHS004, |
MAPS OF TENDERNESS, CD ( approx. value: US$ 13.00 )
SELEKTION SHS004, 1998; ID-BATTERY-MITGLIED MIT EINER WEITEREN CD, MYSTERIOUS LOW-FI RECORDINGS, SEHR ATMOSPHÄRISCH, UND DOCH AUS VIELEN KONKRETEN SCHNIPSELN BESTEHEND..ERINNERT AN SMALLCRUELPARTY..ROEL MEELKOP MEINT DAZU IN VITAL WEEKLY: "STOP LISTENING TO IT AND JUST LET IT FLOW FROM YOUR SPEAKERS INTO YOUR SPACE AND LET IT BE THERE WITH YOU. THEN IT DOES ITS JOB PRETTY WELL. DIFFERENT SOUND DRIFT IN AND OUT OF FOCUS AND SOMETIMES IT IS JUST LIKE SITTING NEXT TO A CAMPFIRE, GAZING INTO THE FLAMES. YES, THIS IS TRANCE MUSIC." INKL. BOOKLET MIT LANGEM TEXT ÜBER'S SOUNDMACHEN..., |
MAPS OF TENDERNESS, CD
SELEKTION H.S., SHS004, |
MAPS OF TENDERNESS, CD
SELEKTION H.S., SHS004, |
MAPS OF TENDERNESS, CD ( approx. value: US$ 13.00 )
SELEKTION SHS004, 1998; ID-BATTERY-MITGLIED MIT EINER WEITEREN CD, MYSTERIOUS LOW-FI RECORDINGS, SEHR ATMOSPHÄRISCH, UND DOCH AUS VIELEN KONKRETEN SCHNIPSELN BESTEHEND..ERINNERT AN SMALLCRUELPARTY..ROEL MEELKOP MEINT DAZU IN VITAL WEEKLY: "STOP LISTENING TO IT AND JUST LET IT FLOW FROM YOUR SPEAKERS INTO YOUR SPACE AND LET IT BE THERE WITH YOU. THEN IT DOES ITS JOB PRETTY WELL. DIFFERENT SOUND DRIFT IN AND OUT OF FOCUS AND SOMETIMES IT IS JUST LIKE SITTING NEXT TO A CAMPFIRE, GAZING INTO THE FLAMES. YES, THIS IS TRANCE MUSIC." INKL. BOOKLET MIT LANGEM TEXT ÜBER'S SOUNDMACHEN..., |
MUSIC ON A SHORT THIN WIRE, CD ( approx. value: US$ 12.00 )
GROUNDFAULT GF015, 2001 ; INTERESSANTE AUFNAHMEN VON DER ID BATTERY-HÄLFTE UND GLEICHZEITIG EINEM DER AKTIVSTEN SOUND-ART-PHILOSOPHEN. TÖNENDE LAUTSPRECHER WERDEN HIER MIT DRÄHTEN ABGENOMMEN UND HÖRBAR GEMACHT, ES ENTSTEHEN LEICHT SÄGEND-METALLISCHE, ANGENEHME VIBRATIONEN... , EACH TRACK OF MUSIC ON A SHORT THIN WIRE" WAS PRODUCED BY USING TWO OF THE FIRST EIGHT CD RELEASES BY GROUND FAULT RECORDINGS. CHOSING THE DISCS IN ORDER OF THEIR RELEASE DATES, I PLAYED TWO CDS SIMULTANEOUSLY THROUGH SEPARATE PLAYERS, AND SEPARATE CHANNELS, SPLITTING THE CDS TO A SINGLE SPEAKER (ONE CD LEFT, THE OTHER RIGHT). USING THE SPEAKERS THEMSELVES AS THE MAIN SOUND SOURCE -- THE, PAPER CONE -- I ATTACHED SHORT THIN COPPER WIRES TO THEIR SURFACES. I THEN ATTACHED THE OTHER END OF THE WIRES DIRECTLY TO CONTACT MICROPHONES. PLAYING THE CDS ACTIVATED THE SPEAKERS, AND IN TURN CAUSED THE WIRES TO VIBRATE. THESE VIBRATIONS IN ESSENCE ARE DIRECT "SYMPATHETIC" TRANSLATIONS OF THE DYNAMIC FLUCTUATIONS OF THE MUSIC BEING PLAYED, THOUGH RESPOND QUITE ERRATICALLY. THE FOLLOWING TRACKS ARE EXCERPTS FROM THESE RECORDINGS; EACH TRACK REFERS TO TWO SPECIFIC CDS." [FROM THE LINER NOTES] |
MUSIC ON A SHORT THIN WIRE, CD ( approx. value: US$ 12.00 )
GROUNDFAULT GF015, 2001 ; INTERESSANTE AUFNAHMEN VON DER ID BATTERY-HÄLFTE UND GLEICHZEITIG EINEM DER AKTIVSTEN SOUND-ART-PHILOSOPHEN. TÖNENDE LAUTSPRECHER WERDEN HIER MIT DRÄHTEN ABGENOMMEN UND HÖRBAR GEMACHT, ES ENTSTEHEN LEICHT SÄGEND-METALLISCHE, ANGENEHME VIBRATIONEN... , EACH TRACK OF MUSIC ON A SHORT THIN WIRE" WAS PRODUCED BY USING TWO OF THE FIRST EIGHT CD RELEASES BY GROUND FAULT RECORDINGS. CHOSING THE DISCS IN ORDER OF THEIR RELEASE DATES, I PLAYED TWO CDS SIMULTANEOUSLY THROUGH SEPARATE PLAYERS, AND SEPARATE CHANNELS, SPLITTING THE CDS TO A SINGLE SPEAKER (ONE CD LEFT, THE OTHER RIGHT). USING THE SPEAKERS THEMSELVES AS THE MAIN SOUND SOURCE -- THE, PAPER CONE -- I ATTACHED SHORT THIN COPPER WIRES TO THEIR SURFACES. I THEN ATTACHED THE OTHER END OF THE WIRES DIRECTLY TO CONTACT MICROPHONES. PLAYING THE CDS ACTIVATED THE SPEAKERS, AND IN TURN CAUSED THE WIRES TO VIBRATE. THESE VIBRATIONS IN ESSENCE ARE DIRECT "SYMPATHETIC" TRANSLATIONS OF THE DYNAMIC FLUCTUATIONS OF THE MUSIC BEING PLAYED, THOUGH RESPOND QUITE ERRATICALLY. THE FOLLOWING TRACKS ARE EXCERPTS FROM THESE RECORDINGS; EACH TRACK REFERS TO TWO SPECIFIC CDS." [FROM THE LINER NOTES] |
SHADOW OF A SHADOW, CD
SELEKTION, SHS008, |
SHADOW OF A SHADOW, CD ( approx. value: US$ 15.00 )
SELEKTION |
SHADOW OF A SHADOW, CD ( approx. value: US$ 13.00 )
SELEKTION SHS 008, 2001; DIE VERÖFFENTLICHUNGEN VON BRANDON LA BELLE AUS LOS ANGELES SIND NICHT NUR SOUNDMÄßIG IMMER INTERESSANT, SONDERN AUCH WEGEN SEINEN STETS KONZEPTUELLEN UND MUSIKSOZIOLOGISCHEN BEGLEITTEXTEN. KEIN WUNDER ALSO DAß SELEKTION MIT SHADOW BEREITS DAS ZWEITE LABELLE - WERK VERÖFFENTLICHT. SO HEIßEN SEINE 8 SCHÖNEN MINIMAL-FLÄCHIGEN STÜCKE, DIE AUF KONKRETEN MATERIALIEN UND FIELD-RECORDINGS BERUHEN, AUCH Z.B. "BUILDING ARE BODIES RESONATING WITH THE CONFLICTUAL FLOW OF VARIOUS ELEMENTS", ODER "THE SURROUNDING SPACE IS A MEDIUM AGITATED BY RANDOM BODIES". REGT ZUM VERWEILENDEN NACHDENKEN AN, AUSGEZEICHNET !! , ...SOUND IS ALWAYS UNDERMINING ITS OWN SYSTEMIZATION, SIGNIFYING MORE THAN A ONE TO ONE RELATION. RATHER, A MULTIPLICITY OF CONNOTATIONS APPEAR WITH SOUND AND ARE AMPLIFIED WITHIN ITS
WAVE: CONVERSATIONS ARE SET IN MOTION BETWEEN THE SOUNDS I MAKE AND THE SOUNDS ALREADY OCCURING, BETWEEN THE CULTURAL WORK AND THE REAL, BETWEEN LISTENING AND RESPONDING. THIS CONVERSATION FLUCTUATES IN THE SLIPPERY FOLD OF MEANING, IN THE AGITATED SPACE OF THE REAL, MAKING IT UNCERTAIN WHERE ONE SOUND ORGINATES AND
THE OTHERS FADE OUT, WHERE PUBLIC SPACE STARTS AND PRIVATE IMPULSE ENDS, WHERE MUSIC IS HEARD AND INTERFERENCE DISRUPTS. - BRANDON LABELLE. TOTAL PLAYING TIME 46:31. LEPORELLO WITH A TEXT BY BRANDON LABELLE. CARDBOARD SLEEVE, DESIGN CHARLY STEIGER. [PRESS RELEASE], |
SHADOW OF A SHADOW, CD ( approx. value: US$ 15.00 )
SELEKTION |
SHADOW OF A SHADOW, CD
SELEKTION, SHS008, |
SHADOW OF A SHADOW, CD
SELEKTION, SHS008, |
SHADOW OF A SHADOW, CD ( approx. value: US$ 13.00 )
SELEKTION SHS 008, 2001; DIE VERÖFFENTLICHUNGEN VON BRANDON LA BELLE AUS LOS ANGELES SIND NICHT NUR SOUNDMÄßIG IMMER INTERESSANT, SONDERN AUCH WEGEN SEINEN STETS KONZEPTUELLEN UND MUSIKSOZIOLOGISCHEN BEGLEITTEXTEN. KEIN WUNDER ALSO DAß SELEKTION MIT SHADOW BEREITS DAS ZWEITE LABELLE - WERK VERÖFFENTLICHT. SO HEIßEN SEINE 8 SCHÖNEN MINIMAL-FLÄCHIGEN STÜCKE, DIE AUF KONKRETEN MATERIALIEN UND FIELD-RECORDINGS BERUHEN, AUCH Z.B. "BUILDING ARE BODIES RESONATING WITH THE CONFLICTUAL FLOW OF VARIOUS ELEMENTS", ODER "THE SURROUNDING SPACE IS A MEDIUM AGITATED BY RANDOM BODIES". REGT ZUM VERWEILENDEN NACHDENKEN AN, AUSGEZEICHNET !! , ...SOUND IS ALWAYS UNDERMINING ITS OWN SYSTEMIZATION, SIGNIFYING MORE THAN A ONE TO ONE RELATION. RATHER, A MULTIPLICITY OF CONNOTATIONS APPEAR WITH SOUND AND ARE AMPLIFIED WITHIN ITS
WAVE: CONVERSATIONS ARE SET IN MOTION BETWEEN THE SOUNDS I MAKE AND THE SOUNDS ALREADY OCCURING, BETWEEN THE CULTURAL WORK AND THE REAL, BETWEEN LISTENING AND RESPONDING. THIS CONVERSATION FLUCTUATES IN THE SLIPPERY FOLD OF MEANING, IN THE AGITATED SPACE OF THE REAL, MAKING IT UNCERTAIN WHERE ONE SOUND ORGINATES AND
THE OTHERS FADE OUT, WHERE PUBLIC SPACE STARTS AND PRIVATE IMPULSE ENDS, WHERE MUSIC IS HEARD AND INTERFERENCE DISRUPTS. - BRANDON LABELLE. TOTAL PLAYING TIME 46:31. LEPORELLO WITH A TEXT BY BRANDON LABELLE. CARDBOARD SLEEVE, DESIGN CHARLY STEIGER. [PRESS RELEASE], |
TECHNE, CD ( approx. value: US$ 13.00 )
A BRUIT SECRET 04, 2001; WIEDER EIN STARK KONZEPTGELADENES WERK VOM KALIFORNISCHEN KLANGKÜNSTLER: AUF TECHNE SIND ALLE STÜCKE ENTSTANDEN ALS ERGEBNIS VON "KÖRPERN", DIE SICH IN DIREKTEN KONTAKT MIT ARCHITEKTONISCHEN RÄUMEN BEGEBEN... DAS AKUSTISCHE ERGEBNIS KLINGT WIE EINE FREMDE SPRACHE AUS KONKRETEN, SICH SCHNELL VERÄNDERNDEN, COLLAGENHAFT VERFREMDETEN SOUNDS, SOFT UND ZART., ..THROUGH HIS USE OF CONTACT MIKES, THE HUMAN BODY TURNS INTO A COMPLEX SOUND SOURCE, AND THE SPACE WHERE THE ACTION TAKES PLACE BECOMES A MUSICAL INSTRUMENT BY ITSELF. BRANDON LABELLE BUILDS HIS SOUND PERFORMANCE TO REFLECT THE SITE AND THE OBJECTS HE FINDS THERE, FOUND-ART SEEN AS A HIGHLY CONCEPTUAL REASONING AS WELL AS A PLAY IN IMPROVISATION. THE MUSIC OF BRANDON LABELLE REVEALS THE SOCIAL CONTEXT IN WHICH IT EXISTS, OR MORE PRECISELY, IT'S THE CONTEXT ITSELF THAT IS DESIGNATED AS A MUSICAL EVENT, THROUGH THE DISPLACEMENT OF THE CONCEPT OF AUTHORSHIP ON AN ACTIVE SOCIAL SPACE. 'TECHNÉ' PRESENTS ITSELF LIKE THE TRACE OF A PROCESS WHERE THE PHYSICAL BODY INTERACTS WITH ARCHITECTURE VIA MICRO CONTACTS. THE TECHNOLOGY IS THE INTERFACE OF THIS CONTACT BUILT BOTH ON DESIRE AND THE ARCHITECTURAL CONSTRAINT OF THE PLACE (AND ITS SUBCONSCIOUS). A RECORDING OF SITUATIONIST POETRY WHERE THE POLITICS PROJECT GIVES ITS SHAPE TO THE MUSICAL PROJECT, A RADICAL NOISE. (TRADUCTION : PASCAL RIVOIRE) - LABEL DESCRIPTION., |
TECHNE, CD ( approx. value: US$ 13.00 )
A BRUIT SECRET 04, 2001; WIEDER EIN STARK KONZEPTGELADENES WERK VOM KALIFORNISCHEN KLANGKÜNSTLER: AUF TECHNE SIND ALLE STÜCKE ENTSTANDEN ALS ERGEBNIS VON "KÖRPERN", DIE SICH IN DIREKTEN KONTAKT MIT ARCHITEKTONISCHEN RÄUMEN BEGEBEN... DAS AKUSTISCHE ERGEBNIS KLINGT WIE EINE FREMDE SPRACHE AUS KONKRETEN, SICH SCHNELL VERÄNDERNDEN, COLLAGENHAFT VERFREMDETEN SOUNDS, SOFT UND ZART., ..THROUGH HIS USE OF CONTACT MIKES, THE HUMAN BODY TURNS INTO A COMPLEX SOUND SOURCE, AND THE SPACE WHERE THE ACTION TAKES PLACE BECOMES A MUSICAL INSTRUMENT BY ITSELF. BRANDON LABELLE BUILDS HIS SOUND PERFORMANCE TO REFLECT THE SITE AND THE OBJECTS HE FINDS THERE, FOUND-ART SEEN AS A HIGHLY CONCEPTUAL REASONING AS WELL AS A PLAY IN IMPROVISATION. THE MUSIC OF BRANDON LABELLE REVEALS THE SOCIAL CONTEXT IN WHICH IT EXISTS, OR MORE PRECISELY, IT'S THE CONTEXT ITSELF THAT IS DESIGNATED AS A MUSICAL EVENT, THROUGH THE DISPLACEMENT OF THE CONCEPT OF AUTHORSHIP ON AN ACTIVE SOCIAL SPACE. 'TECHNÉ' PRESENTS ITSELF LIKE THE TRACE OF A PROCESS WHERE THE PHYSICAL BODY INTERACTS WITH ARCHITECTURE VIA MICRO CONTACTS. THE TECHNOLOGY IS THE INTERFACE OF THIS CONTACT BUILT BOTH ON DESIRE AND THE ARCHITECTURAL CONSTRAINT OF THE PLACE (AND ITS SUBCONSCIOUS). A RECORDING OF SITUATIONIST POETRY WHERE THE POLITICS PROJECT GIVES ITS SHAPE TO THE MUSICAL PROJECT, A RADICAL NOISE. (TRADUCTION : PASCAL RIVOIRE) - LABEL DESCRIPTION., |
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