16 MOVEMENTS FOR ELECTRIC GUITAR, LP ( approx. value: US$ 12.00 )
EARLY MORNING; LIM. 200, PREVIOUSLY RELEASED ON CASSETTE ONLY; |
16 MOVEMENTS FOR ELECTRIC GUITAR, LP ( approx. value: US$ 12.00 )
EARLY MORNING; LIM. 200, PREVIOUSLY RELEASED ON CASSETTE ONLY; |
FOR ELECTRIC GUITAR AND CASSETTE RECORDERS, 10" ( approx. value: US$ 10.00 )
EARLY MORNING RECORDS EMR 10"-010, 2002; GANZ ANDERS ALS AUF DER SCHWER HÖRBAREN "SELECTED WORKS" 10" GEHT ES AUF DIESER NEUEREN VÖ VON ASKILD HAUGLAND AKA TAMING POWER ZU: WIEDER IM ANALOGEN LOW-FI BEREICH, HÖREN WIR METALLISCH OSZILLIERENDE "CLANGS" VON GITARREN-SAITENANSCHLÄGEN, DIE SICH IN EINEM ENDLOSEN MEER AUF-UND AB BEWEGEN; AUF DER B-SEITE VERRAUSCHTE & VERWIRBELTE & SICH IN POLYPHONEN STRUDELN ERGIESSENDE DISTORTION-DRONESCAPES. DAS ERINNERT UNS Z.B. SOWOHL AN ARBEITEN VON CHRISTINA KUBISCH ALS AUCH LOVELIESCRUSHING. EIN KLEINES JUWEL, DIESE PLATTE! , ELECTRIC GUITAR RECORDED AND MANIPULATED THROUGH THE USE OF ORDINARY DOMESTIC CASSETTE RECORDERS - NO REEL-TO-REELS HAVE BEEN USED THIS TIME. SIDE A CONTAINS ONE LONG PIECE BASED ON SERIES OF FLAGEOLET CHORDS RECORDED IN STOP MOTION TECHNIQUE, RUNNING
THROUGH A FULL CYCLE UNTIL THE SEQUENCE STARTS REPEATING ITSELF. SIDE B CONTAINS SIX SMALL PIECES. 220 COPIES. [LABEL DESCRIPTION], ... THE SIDE LONG SIDE A, ENTITLED '26-3-02' HAS A RATHER
METALLIC SOUNDING GUITAR. NOTES ARE PLAYED, NOT AS CONTINUOS CHORDS,
BUT IN FLAGEOLET STYLE. NORMALLY THIS WOULD RESULT IN A RATHER
HARMONIUS GUITAR TINKLE, BUT BY THE USE OF ORDINARY CASSETTE PLAYERS
AND THE GRADUAL 'LO-FI' SOUND, THE WHOLE THING IS AS SAID MORE
METALLIC - COLD. BUT IT'S A STRANGELY MINIMAL FASCINATING SOUND. ON
THE B-SIDE HE WORKS ALSO WITH GUITAR AND TAPE-DISTORTION. HERE
HOWEVER NOT IN A LONG PIECE, BUT SIX SHORT PIECES. HERE THERE IS NO
TINKLE, BUT SHORT PIECES OF DRONE MUSIC. IT SEEMS AS THOUGH THE MUSIC
HAS DISAPPEARED IN THE PROCESS OF WORKING WITH CASSETTES, AND IS
COVERED BY AN IMMENSE MASS OF DIRT (HISS). BUT ASKILD PLAYS AROUND
WITH THE VARIOUS FORMS AND STAGES OF DECAY OF THE HISS, WHICH MAKES
THIS INTO A WELL ENJOYABLE RECORD (BOTH SIDES!). THE A-SIDE DWELLING
ON VARIOUS INFLUENCES FROM THE LO-FI GUITAR SCENE, AND THE B-SIDE
WITH TROUM INSPIRED AMBIENT-INDUSTRIAL OUTINGS. [FDW, VITAL WEEKLY] |
FOR ELECTRIC GUITAR AND CASSETTE RECORDERS, 10" ( approx. value: US$ 10.00 )
EARLY MORNING RECORDS EMR 10"-010, 2002; GANZ ANDERS ALS AUF DER SCHWER HÖRBAREN "SELECTED WORKS" 10" GEHT ES AUF DIESER NEUEREN VÖ VON ASKILD HAUGLAND AKA TAMING POWER ZU: WIEDER IM ANALOGEN LOW-FI BEREICH, HÖREN WIR METALLISCH OSZILLIERENDE "CLANGS" VON GITARREN-SAITENANSCHLÄGEN, DIE SICH IN EINEM ENDLOSEN MEER AUF-UND AB BEWEGEN; AUF DER B-SEITE VERRAUSCHTE & VERWIRBELTE & SICH IN POLYPHONEN STRUDELN ERGIESSENDE DISTORTION-DRONESCAPES. DAS ERINNERT UNS Z.B. SOWOHL AN ARBEITEN VON CHRISTINA KUBISCH ALS AUCH LOVELIESCRUSHING. EIN KLEINES JUWEL, DIESE PLATTE! , ELECTRIC GUITAR RECORDED AND MANIPULATED THROUGH THE USE OF ORDINARY DOMESTIC CASSETTE RECORDERS - NO REEL-TO-REELS HAVE BEEN USED THIS TIME. SIDE A CONTAINS ONE LONG PIECE BASED ON SERIES OF FLAGEOLET CHORDS RECORDED IN STOP MOTION TECHNIQUE, RUNNING
THROUGH A FULL CYCLE UNTIL THE SEQUENCE STARTS REPEATING ITSELF. SIDE B CONTAINS SIX SMALL PIECES. 220 COPIES. [LABEL DESCRIPTION], ... THE SIDE LONG SIDE A, ENTITLED '26-3-02' HAS A RATHER
METALLIC SOUNDING GUITAR. NOTES ARE PLAYED, NOT AS CONTINUOS CHORDS,
BUT IN FLAGEOLET STYLE. NORMALLY THIS WOULD RESULT IN A RATHER
HARMONIUS GUITAR TINKLE, BUT BY THE USE OF ORDINARY CASSETTE PLAYERS
AND THE GRADUAL 'LO-FI' SOUND, THE WHOLE THING IS AS SAID MORE
METALLIC - COLD. BUT IT'S A STRANGELY MINIMAL FASCINATING SOUND. ON
THE B-SIDE HE WORKS ALSO WITH GUITAR AND TAPE-DISTORTION. HERE
HOWEVER NOT IN A LONG PIECE, BUT SIX SHORT PIECES. HERE THERE IS NO
TINKLE, BUT SHORT PIECES OF DRONE MUSIC. IT SEEMS AS THOUGH THE MUSIC
HAS DISAPPEARED IN THE PROCESS OF WORKING WITH CASSETTES, AND IS
COVERED BY AN IMMENSE MASS OF DIRT (HISS). BUT ASKILD PLAYS AROUND
WITH THE VARIOUS FORMS AND STAGES OF DECAY OF THE HISS, WHICH MAKES
THIS INTO A WELL ENJOYABLE RECORD (BOTH SIDES!). THE A-SIDE DWELLING
ON VARIOUS INFLUENCES FROM THE LO-FI GUITAR SCENE, AND THE B-SIDE
WITH TROUM INSPIRED AMBIENT-INDUSTRIAL OUTINGS. [FDW, VITAL WEEKLY] |
SELECTED WORKS 1992-98, 10" ( approx. value: US$ 11.00 )
EARLY MORNING; LIM. 200 COPIES, COMPOSED & PERFORMED BY ASKILD HAUGLAND; |
SELECTED WORKS 1992-98, 10" ( approx. value: US$ 11.00 )
EARLY MORNING; LIM. 200 COPIES, COMPOSED & PERFORMED BY ASKILD HAUGLAND; |
SELECTED WORKS 1997, 10" ( approx. value: US$ 11.00 )
EARLY MORNING; LIM. 202 COPIES; |
SELECTED WORKS 2000, 10" ( approx. value: US$ 11.00 )
EARLY MORNING; LIM. 200 COPIES, LATEST RELEASE IN THE SERIES - "EXCURSIONS FOR TAPE RECORDERS"; |
SELECTED WORKS 2000, 10" ( approx. value: US$ 10.00 )
EARLY MORNING RECORDS EMR 10"-007, 2000; NORWEGISCHES EXPERIMENTALPROJEKT AUS OSLO MIT SCHRÄG-QUIETSCHIG-JAULENDEN TAPERECORDER-AUFNAHMEN VON FEEDBACKS, RAUH UND LOW-FI UND SYNAPSENVERZEHREND.... HANDMADE COVERARTWORK. , EXCURSIONS FOR TAPE RECORDERS. THE 4 PIECES WERE RECORDED IN REAL TIME ON TWO CONNECTED TAPE RECORDERS, USING TAPE RECORDER FEEDBACK
AS SOUND SOURCE. 200 COPIES. [LABEL INFO], |
SELECTED WORKS 2000, 10" ( approx. value: US$ 11.00 )
EARLY MORNING; LIM. 200 COPIES, LATEST RELEASE IN THE SERIES - "EXCURSIONS FOR TAPE RECORDERS"; |
SELECTED WORKS 2000, 10" ( approx. value: US$ 10.00 )
EARLY MORNING RECORDS EMR 10"-007, 2000; NORWEGISCHES EXPERIMENTALPROJEKT AUS OSLO MIT SCHRÄG-QUIETSCHIG-JAULENDEN TAPERECORDER-AUFNAHMEN VON FEEDBACKS, RAUH UND LOW-FI UND SYNAPSENVERZEHREND.... HANDMADE COVERARTWORK. , EXCURSIONS FOR TAPE RECORDERS. THE 4 PIECES WERE RECORDED IN REAL TIME ON TWO CONNECTED TAPE RECORDERS, USING TAPE RECORDER FEEDBACK
AS SOUND SOURCE. 200 COPIES. [LABEL INFO], |
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