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Catalogue >INDUSTRIAL / AVANTGARDE / POWERELECTRONICS / NOISE >XENAKIS, IANNIS |
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AKRATA / ACHORRIPSIS / POLLA TA DHINA / ST / 10, LP ( approx. value: US$ 39.00 )
INSERT CO TOC |
ATREES / MORSIM, LP ( approx. value: US$ 39.00 )
MORSIMA / ST/4 / NOMOS ALPHACO TOC |
CENDREES / JOCHAIES / NOMOS, LP ( approx. value: US$ 25.00 )
ERATO |
COLLECTION OF HISTORICAL RECORDINGS OF ESSENTIAL WORKS, CD-2 ( approx. value: US$ 26.00 )
EDITION RZ 1. ST/48-1,240162 FOR 48 INSTRUMENTS, 1959-62 (8:22) WDR SINFONIEORCHESTER KOELN; LTG. MICHEL TABACHNIK, 2. LE POLYTOPE DE MONTREAL, FOR FOUR ORCHESTRAS 1967 (6:18) ENSEMBLE ARS NOVA DE L'O.R.T.F., LTG. MARIUS CONSTANT, 3. NOMOS GAMMA FO |
COLLECTION OF HISTORICAL RECORDINGS OF ESSENTIAL WORKS, CD-2 ( approx. value: US$ 26.00 )
EDITION RZ 1. ST/48-1,240162 FOR 48 INSTRUMENTS, 1959-62 (8:22) WDR SINFONIEORCHESTER KOELN; LTG. MICHEL TABACHNIK, 2. LE POLYTOPE DE MONTREAL, FOR FOUR ORCHESTRAS 1967 (6:18) ENSEMBLE ARS NOVA DE L'O.R.T.F., LTG. MARIUS CONSTANT, 3. NOMOS GAMMA FO |
| ELECTRCOUSTIC MUSICLP, LP ( approx. value: US$ 79.00 ) |
ELECTRONIC MUSIC, CD ( approx. value: US$ 18.00 )
EMF / ELECTRONIC MUSIC FOUNDATION (USA), INCLUDING THE WORKS ORIGINALLY RELEASED AS VINYL ON NONESUCH, HIGHLY RECOMMENDED! |
ELECTRONIC MUSIC, CD ( approx. value: US$ 13.00 )
ELECTRONIC MUSIC FOUNDATION EMFCD003, 1997; WICHTIGE AUFNAHMEN AUS DEM WERK, V.A. DER FRÜHZEIT DES GRIECHISCHEN KOMPONISTEN: 4 DER HIER ENTHALTENDEN STÜCKE ENTSTANDEN 1957-1962 IM INA GRM-STUDIO IN PARIS BEI PIERRE SCHAEFFER. EIN WEITERES STAMMT AUS DEM JAHRE 1970 (NUR INSTRUMENTALE SOUNDS), DAS LETZTE SCHLIEßLICH IST UNTER EINSATZ EINES SPEZIELLEN COMPUTER-PROGRAMMES ENTSTANDEN, WELCHES XENAKIS ENTWICKELT HAT (1992). SCHÖN & ERSTAUNLICH DIE GERÄUSCHHAFT-DRÖHNIG-ELEKTRONISCHEN STÜCKE AUS SEINER ANFANGSZEIT..., SUPERLATIVE AND LONG DESIRED REISSUE OF XENAKIS'S EARLY ELECTRONIC WORKS, INCLUDING THE IN-DEMAND PIECES FROM HIS HIS PIONEERING NONESUCH ALBUM ELECTRO-ACOUSTIC MUSIC. ISSUED IN COLLABORATION WITH FRANCE'S INA-GRM, THE STUDIO WHERE THE FIRST 3 OF THESE COMPOSITIONS WERE REALIZED. ALTHOUGH IT ONLY MAKES UP A TINY PORTION OF HIS TOTAL COMPOSED WORK TO DATE, XENAKIS'S TAPE WORKS ARE AS LEGENDARY AND SIGNIFICANT AS THOSE OF SCHAEFFER, HENRY OR STOCKHAUSEN. POWERFUL, MIND EXPANDING LISTENING -- THIS RELEASE CERTAINLY WILL RATE AS ONE OF 1997'S MOST IMPORTANT EXPERIMENTAL MUSICAL DOCUMENTS. INCLUDES THE FOLLOWING WORKS: DIAMORPHOSES" (1957): "A STUDY OF WHITE NOISE AND ITS GRADUATIONS THROUGH THE PROCESS OF DENSIFICATION." "CONCRET PH" (1958): "THIS VERY SHORT WORK IS A SOUND CONTINUUM WITHOUT A SINGLE BREAK. XENAKIS PRE-RECORDED CRACKLING EMBERS FROM WHICH HE EXTRACTED VERY BRIEF (ONE-SECOND) SOUND ELEMENTS. THEN HE ASSEMBLED THEM IN HUGE QUANTITIES, VARYING THEIR DENSITY EACH TIME. THIS WORK CAN BE COMPARED TO HIS INSTRUMENTAL PREOCCUPATIONS CONCERNING 'CLOUDS OF SOUND'." "ORIENT-OCCIDENT" (1960): "ONE OF THE MAJOR MASTERPIECES FOR TAPE...CONCEIVED AS A MUSIC FOR A FILM BY ENRICO RULCHIGNONI." "BOHOR" (1962): "DEDICATED TO PIERRE SCHAEFFER...AN EXTRAORDINARY AND DEAFENING SOUND CONTINUUM WHERE THE LISTENER IS INVITED, IN A FIGURATIVE SENSE, TO HEAR BELLS CHIME WHILE STANDING INSIDE THEM!" "HIBIKI-HANA-MA" (1970:" "XENAKIS RECORDED AND REWORKED SEQUENCES PLAYED BY AN ORCHESTRA, A BIWA, AND A SNARE DRUM BUT NEVER RENDERED THEM UNRECOGNIZABLE. DISTRIBUTED OVER 12 TRACKS, THE WORK'S SONORITIES WERE ELABORATED IN FUNCTION OF A HIGHLY PRONOUNCED SPATIALIZATION. THE TITLE OF THIS PIECE MEANS 'REVERBERATION -- FLOWER -- INTERVAL." "S.709" (1992) RECORDED WITH THE GENDYN PROGRAM: "BOTH THE SOUNDS PRODUCED IN THE PIECE AS WELL AS THE GLOBAL EVOLUTION OF THE COMPOSITION ARE LITERALLY UNHEARD OF: DESPITE THE ABSTRACT NATURE OF THE PROCESSES INVOLVED AND THEIR MECHANICAL NATURE, THE XENAKIS SOUND WORLD IS IMMEDIATELY RECOGNIZABLE." [PRESS RELEASE], |
ELECTRONIC MUSIC, CD ( approx. value: US$ 13.00 )
ELECTRONIC MUSIC FOUNDATION EMFCD003, 1997; WICHTIGE AUFNAHMEN AUS DEM WERK, V.A. DER FRÜHZEIT DES GRIECHISCHEN KOMPONISTEN: 4 DER HIER ENTHALTENDEN STÜCKE ENTSTANDEN 1957-1962 IM INA GRM-STUDIO IN PARIS BEI PIERRE SCHAEFFER. EIN WEITERES STAMMT AUS DEM JAHRE 1970 (NUR INSTRUMENTALE SOUNDS), DAS LETZTE SCHLIEßLICH IST UNTER EINSATZ EINES SPEZIELLEN COMPUTER-PROGRAMMES ENTSTANDEN, WELCHES XENAKIS ENTWICKELT HAT (1992). SCHÖN & ERSTAUNLICH DIE GERÄUSCHHAFT-DRÖHNIG-ELEKTRONISCHEN STÜCKE AUS SEINER ANFANGSZEIT..., SUPERLATIVE AND LONG DESIRED REISSUE OF XENAKIS'S EARLY ELECTRONIC WORKS, INCLUDING THE IN-DEMAND PIECES FROM HIS HIS PIONEERING NONESUCH ALBUM ELECTRO-ACOUSTIC MUSIC. ISSUED IN COLLABORATION WITH FRANCE'S INA-GRM, THE STUDIO WHERE THE FIRST 3 OF THESE COMPOSITIONS WERE REALIZED. ALTHOUGH IT ONLY MAKES UP A TINY PORTION OF HIS TOTAL COMPOSED WORK TO DATE, XENAKIS'S TAPE WORKS ARE AS LEGENDARY AND SIGNIFICANT AS THOSE OF SCHAEFFER, HENRY OR STOCKHAUSEN. POWERFUL, MIND EXPANDING LISTENING -- THIS RELEASE CERTAINLY WILL RATE AS ONE OF 1997'S MOST IMPORTANT EXPERIMENTAL MUSICAL DOCUMENTS. INCLUDES THE FOLLOWING WORKS: DIAMORPHOSES" (1957): "A STUDY OF WHITE NOISE AND ITS GRADUATIONS THROUGH THE PROCESS OF DENSIFICATION." "CONCRET PH" (1958): "THIS VERY SHORT WORK IS A SOUND CONTINUUM WITHOUT A SINGLE BREAK. XENAKIS PRE-RECORDED CRACKLING EMBERS FROM WHICH HE EXTRACTED VERY BRIEF (ONE-SECOND) SOUND ELEMENTS. THEN HE ASSEMBLED THEM IN HUGE QUANTITIES, VARYING THEIR DENSITY EACH TIME. THIS WORK CAN BE COMPARED TO HIS INSTRUMENTAL PREOCCUPATIONS CONCERNING 'CLOUDS OF SOUND'." "ORIENT-OCCIDENT" (1960): "ONE OF THE MAJOR MASTERPIECES FOR TAPE...CONCEIVED AS A MUSIC FOR A FILM BY ENRICO RULCHIGNONI." "BOHOR" (1962): "DEDICATED TO PIERRE SCHAEFFER...AN EXTRAORDINARY AND DEAFENING SOUND CONTINUUM WHERE THE LISTENER IS INVITED, IN A FIGURATIVE SENSE, TO HEAR BELLS CHIME WHILE STANDING INSIDE THEM!" "HIBIKI-HANA-MA" (1970:" "XENAKIS RECORDED AND REWORKED SEQUENCES PLAYED BY AN ORCHESTRA, A BIWA, AND A SNARE DRUM BUT NEVER RENDERED THEM UNRECOGNIZABLE. DISTRIBUTED OVER 12 TRACKS, THE WORK'S SONORITIES WERE ELABORATED IN FUNCTION OF A HIGHLY PRONOUNCED SPATIALIZATION. THE TITLE OF THIS PIECE MEANS 'REVERBERATION -- FLOWER -- INTERVAL." "S.709" (1992) RECORDED WITH THE GENDYN PROGRAM: "BOTH THE SOUNDS PRODUCED IN THE PIECE AS WELL AS THE GLOBAL EVOLUTION OF THE COMPOSITION ARE LITERALLY UNHEARD OF: DESPITE THE ABSTRACT NATURE OF THE PROCESSES INVOLVED AND THEIR MECHANICAL NATURE, THE XENAKIS SOUND WORLD IS IMMEDIATELY RECOGNIZABLE." [PRESS RELEASE], |
EONTA, HERMA & EVRYALI, LP ( approx. value: US$ 39.00 )
BANDEROLE INSERT |
KRAANERG, CD ( approx. value: US$ 16.00 )
SOMBIENT; PERFORMED LIVE BY ST-X ENSEMBLE IN '96 - "TERRIFYING MASSES OF SOUND" (WALL ST. JOURNAL); |
KRAANERG, CD ( approx. value: US$ 16.00 )
SOMBIENT; PERFORMED LIVE BY ST-X ENSEMBLE IN '96 - "TERRIFYING MASSES OF SOUND" (WALL ST. JOURNAL); |
MEDEA / ORIENT, LP ( approx. value: US$ 30.00 )
HOER ZU BLACK LABEL |
| METASTASIS, LP ( approx. value: US$ 25.00 ) |
METASTASIS / PITOPHRAKTA, LP ( approx. value: US$ 19.00 )
VCS 10030 |
MUSIQUE ELECTRO-ACOUSTIQUE, CD
FRACTAL, FRACTAL015, POUR LA PAIX (1981) / VOYAGE ABSOLU... (1989) |
MUSIQUE ELECTRO-ACOUSTIQUE, CD ( approx. value: US$ 17.00 )
FRACTAL POUR LA PAIX (1981) / VOYAGE ABSOLU; (1989),; TWO ELECTRO-ACOUSTIC PIECES FROM THE '80S; |
MUSIQUE ELECTRO-ACOUSTIQUE, CD ( approx. value: US$ 17.00 )
FRACTAL POUR LA PAIX (1981) / VOYAGE ABSOLU; (1989),; TWO ELECTRO-ACOUSTIC PIECES FROM THE '80S; |
MUSIQUE ELECTRO-ACOUSTIQUE, CD
FRACTAL, FRACTAL015, POUR LA PAIX (1981) / VOYAGE ABSOLU... (1989) |
MUSIQUE ELECTRO-ACOUSTIQUE, CD
FRACTAL, FRACTAL015, POUR LA PAIX (1981) / VOYAGE ABSOLU... (1989) |
MUSIQUE `ABORD, CD ( approx. value: US$ 12.00 )
HARMONIA MUNDI |
MUSIQUE `ABORD, CD ( approx. value: US$ 12.00 )
HARMONIA MUNDI |
PERSEPOLIS, CD ( approx. value: US$ 19.00 )
FRACTAL (F), LONG AWAITED RE-ISSUE OF THIS CLASSICAL WORK FROM 1971. ONE LONG AMBIENT PIECE WHICH SOUNDS LIKE A SYMPHONY OF CRACKLING, RESONANCES, METAL SOUNDS, GLASS SOUNDS AND DRONES. XANAKIS IS ONE OF THE PIONEERS OF ELECTRO-ACOUSTIC MUSIC. COMES WITH A 16-PAGED B |
PERSEPOLIS, CD ( approx. value: US$ 17.00 )
FRACTAL; RE-ISSUE OF ONE OF THE MOST OUTSTANDING ELECTRO-ACOUSTIC PIECES OF THE 20TH CENTURY, CREATED FOR A FESTIVAL IN 1971; |
PERSEPOLIS, CD
FRACTAL, FRACTALOX, 8 CHANNEL ELECTRONIC TAPE |
PERSEPOLIS, LP ( approx. value: US$ 100.00 )
PHILIPPS SILVER SEIES, TWO EDITIONS AVAILABLE |
PERSEPOLIS, LP ( approx. value: US$ 129.00 )
2ND EDITION GREY COVER/BLACK LABEL PROSPECTIVE 21. SIECLE MUSIQUE CONCRETE |
PERSEPOLIS, CD
FRACTAL, FRACTALOX, 8 CHANNEL ELECTRONIC TAPE |
PERSEPOLIS, LP ( approx. value: US$ 100.00 )
PHILIPPS SILVER SEIES, TWO EDITIONS AVAILABLE |
PERSEPOLIS, CD
FRACTAL, FRACTALOX, 8 CHANNEL ELECTRONIC TAPE |
PERSEPOLIS PLUS REMIXES EDITION 1, CD-2
ASPHODEL ASP2005; THE ORIGINAL PLUS REMIXES BY O.YOSHIHIDE, RYOJI IKEDA, F.LOPEZ, MERZBOW, ETC. CONCRETE MUSIC |
PERSEPOLIS PLUS REMIXES EDITION 1, CD-2 ( approx. value: US$ 20.00 )
ASPHODEL THE ORIGINAL PLUS REMIXES BY O.YOSHIHIDE, RYOJI IKEDA, F.LOPEZ, MERZBOW, ETC. |
PLÉIADES, CD ( approx. value: US$ 10.00 )
HARMONIA MUNDI; EXCELLENT COMPOSITION FOR PERCUSSION ENSEMBLE, FEAT. "LES PERCUSSIONS DE STRASBOURG"; |
PSAPPHA, 7" ( approx. value: US$ 11.00 )
MUSIC FOR PERCUSSION, RELEASED ON STOMACH ACHE |
XENAKIS, LP-5 ( approx. value: US$ 170.00 )
ERATO, LP-BOX |
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